Category

dressage

The sport of dressage is so difficult, it is an excellent way for mere mortals to learn humility

canter, Charlotte Dujardin, dressage, horses, natalie perry dressage

You’ve Gotta Have Go

The art of dressage is continually realizing you don’t really know what you thought you knew. Or you don’t understand it thoroughly.

So has it been with my coming to terms with the basic premise: You’ve gotta have go.

Leann Johnston and HS Black Magic have go – beautiful forward movement. Magic is owned by Tina Billings.

How many trainers have tried to get this idea through my head? Too many to count.

Yes, even at the walk, you’ve gotta have go. HS Black Magic, owned by Tina Billlings, ridden by Leann Johnston.

Happily, last week’s lesson brought a breakthrough. Here’s what happened.
Micah and I were working on the canter/walk transition. Mine tend to be either a) abrupt or b) sloppy. I pointed this out, as if perhaps Natalie hadn’t noticed. She laughed, agreeing that this would be good to work on.
My tendency has been to immediately start asking for a shorter, more compressed canter, then ask for the down transition. There’s a major problem with this approach.
“You have to have him going forward before you can get the collection,” Natalie reminded me.
Something clicked. The week before we’d worked on 10 meter circles at the canter — which was terrifically helpful. “Really feel like you’re sitting him down,” Natalie said.
This meant that I had to really ride — as in a) steer, b) drive Micah forward with my legs, c) sit deep in the saddle, and d) guide the shoulder around the circle using outside rein and leg.
This was really challenging at first — especially with Natalie standing at the edge of the circle saying, “Go in front of me.”
I was strongly motivated not to run over my trainer.
The great thing was, this really engaged Micah’s hind end, giving me the sense of forward power I need to feel before asking for a great canter/walk. In short, you’ve gotta have Go before you can ask for collection.
A voice in my head hearkened back to the Charlotte Dujardin symposium we attended two years ago. Charlotte’s primary emphasis to riders of all levels was on what she called The Go Button. Wheels churned and clicked in my brain. Rusty memories arose … all with the same message. Without Go, you have nothing.

HS Black Magic shows off a gorgeous hind end – ably ridden by Leann Johnston, owned by Tina Billings

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Ride Like You Mean It
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dressage, dressage lessons, Nonhorsepeople, riding

Why do you STILL take riding lessons?

If there are non-horsepeople in your life, it’s likely that they have asked you why you still (emphasis on still, tone of voice indicating disbelief) take riding lessons. One friend of mine even went on to say, “I thought you’d be teaching by now.” This is someone who has never seen me ride and who clearly knows nothing about dressage. The fact is, most people just don’t get it.
For them, I’ve come up with the following analogy, which you may feel free to use when the subject comes up in your life … at your child’s school, at cocktail parties, and even in family gatherings.

Dressage, like piano, takes a lifetime to master.


Dressage is somewhat like learning to play the piano. Almost anyone can learn to play “Mary Had a Little Lamb” or “Row, Row, Row Your Boat” in a reasonable length of time. But to play Bach, you study for many years. To play at a concert level, you study for a lifetime.
Adding to the complexity of dressage is that, unlike with your piano, you are working with another living being with its own set of physical and mental strengths and limits. While your piano will need occasional tuning to perform consistently, you and your horse will need regular tuning as the demands increase as horse and rider move up the levels. The rider, like the piano student, will have good and bad days but the piano will remain tried and true throughout the years. The horse, on the other hand, will have ups and downs of his own, which the rider must constantly adjust to, sometimes asking for more, sometimes less.
While your piano may weigh as much as a horse, it will never refuse to play, wake up sluggish and/or stiff, or feel naughty. Your piano will never try to outsmart you or remove you from the piano bench.
This, my friends, is why I take lessons week after week, year after year. I’m trying to bring out the best not just in myself, but in a living, breathing instrument with a mind of its own. When it works, it is beautiful music, indeed.

cantering, dressage, dressage competition, natalie perry dressage, The Go Button

Ride Like You Mean It

This morning’s ride was a bit of a rough go.
I swear my horse reads my every mood and he knew I wasn’t totally present. Indeed, I was feeling a bit down and lacking in physical and mental fortitude.

Horses find dressage more challenging than grazing in pasture.


Micah finds the collected work to be much more difficult than grazing in the pasture and has started to complain a bit. He also hates marching at the walk — he was certain he owned that gait.
Today we did a run through of Second Level, Test One and Micah knew an imaginary judge was looking over my shoulder, critiquing the ride. When he balked in his canter transitions, rather than school him for it, I tried to ride on hoping the judge wouldn’t notice. I could feel the points slipping through my fingers. It was a miserable test.
Natalie gave me a pep talk about the Go button and Riding with Determination. After a brief break, we had at it again. This time I rode it like a cross-country course. We had to go or die.
Clever boy that he is, Micah sensed this and off he went. It was perhaps one of our best rides.
When show day rolls around, I’ll need to set aside hopes of high marks and, instead, focus on riding really, really well. (That’s supposed to be our focus, anyway, but let’s face it — we’re all hoping for blue ribbons.) I also need to be prepared to school any naughtiness without regard for the judge’s opinion. I’m sure she’s been there herself.
Next time I ride, I’ll put an ounce of determination in my pocket before I get in the saddle. My horse always knows when I’m carrying it.

Related posts
You’ve Gotta Have Go
June 28, 2017
I Wish You Rode
April 11, 2017
Working Out with the Outside Rein
February 1, 2017
canter, Carl Hester, dressage, dressage lessons, haunches in, leg yield, natalie perry dressage

I Wish You Rode

I came home from the Carl Hester dressage clinic inspired and ready to ride.
Fortunately, I had a lesson scheduled for the very next morning. My trainer, Natalie had been at the clinic, as well, so we had a grand time discussing clinic highlights and which horse we wish we could have come home with.

One of the horses from the Carl Hester clinic that I wouldn’t mind owning.


We got down to work and I tried SO hard to keep my upper body elevated, per Carl’s instruction. I tried to keep my hands in front of the saddle and use my legs more independently, knowing he’d be pleased if I did so. Awareness is the first step toward improvement.
The lesson was SO good, on the way home I found myself wishing that more of my friends would ride. Why? Because this is such an important thing to me — and yet I can’t share it with them.
Let’s say I called Kim, the good friend I mountain bike and nordic ski with. Imagine the conversation.
Me: “Our haunches in is really improving! I am so excited!”
Kim: “Huh? What’s a haunches in?”
By the time I explained the exercise, Kim she would be sorry she picked up the phone.
Perhaps I would do better to lead with the canter exercise, since it was more dynamic.
Me: “We did a great exercise at the canter! Canter down the long side, leg yield off the wall to the quarter line (which I’ve never done before) and then back to the wall! It really tuned Micah up to the leg, straightened him, and was a great obedience exercise. It also made me use both legs.”
Kim: “I have to go clean toilets now.” (Hanging up)
Me: “Damn.”

Kim enjoying a different kind of saddle. No haunches in here.

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You’ve Gotta Have Go
June 28, 2017
Ride Like You Mean It
April 25, 2017
Working Out with the Outside Rein
February 1, 2017
Competition Tips, dressage, dressage competition, Dressage Illustrated

Becoming Show Ready with Dressage Illustrated


With my first show of the season just around the corner, it’s high time to get serious about really learning my Second Level tests.
This will be my first time showing at this level and to say I’m excited is an understatement. Last year at this time Micah and I were studying these same tests when the poor boy got caste in his stall, sending our show season out the window.
Instead of showing, my goal was to bring my horse back to rideable condition. It was pretty scary but, happily, Micah recovered and this year he is going better than ever.So, this is our second chance at Second Level.
To help me along, I pulled out the Dressage Illustrated Second Level booklet and began to study in earnest. I have to say I am impressed. Being a visual person, the illustrations made it easier for me to picture how the movements relate to one another. I feel like I have a better big picture idea of what’s going on. As a result, the tests are easier to memorize and the areas where we need to brush up are popping out at me.
It’s one thing to practice transitions within gaits and from one gait to another, but to practice them in the order they’re required by the test feels very different. As someone who likes to be over-prepared, I’m excited to get back in the saddle with my fix-it list.

If you find dressage tests difficult to visualize, learn, or memorize, give Dressage Illustrated a try. I think you’ll find them to be very useful.
Check out their website and Facebook page for more information about their diagram books and other products.

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You’ve Gotta Have Go
June 28, 2017
Ride Like You Mean It
April 25, 2017
I Wish You Rode
April 11, 2017
dressage, dressage lessons, dressage training, Turn on the Haunches

Dressage for Dummies: Turn on the Haunches

“Dressage for Dummies” has yet to be written, despite the serious need!


The ‘For Dummies’ book series includes a mind-boggling range of topics, including dating, the internet, law, and nearly every sport under the sun. Every sport except dressage, that is.
After today’s lesson, where we labored through the Turn on the Haunches, I was prepared to write the book myself.
For reasons I can’t fathom (perhaps because I am a dummy), I find Turn on the Haunches to be a serious mental challenge. I’ll think I have it, then lose it.
When I gave it an attempt today, Natalie said, “That’s turn on the forehand.”
“Ack.”
I tried again.
“That’s turn around the middle,” she said. A new movement, yet to be documented.
“Ack.”
Natalie broke it down for me in this way. On a fairly small circle, with the horse walking, put him in a haunches in position. No problem.
Now make the circle smaller, asking the shoulders to move over as you ask the hind legs to keep moving in response to your legs. Your outside rein asks the shoulders to move to the inside of the circle. Your horse is moving his shoulders around the circle, as opposed to moving forward.
I found this to be very helpful, although my mind spins trying to comprehend the logistics of what’s going where/when. I also get dizzy really quickly.
When I suggested the horse needed a break, Natalie said, “This is really easy for him. He could do this all day.”
Ok, I couldn’t.
I came home and watched a few YouTube videos of Turn on the Haunches to put a visual image of the movement into my brain. Here’s hoping it sticks.
Clearly Dressage for Dummies hasn’t been written because it’s a more complex subject than dating, the internet, or law. Alas.

Related posts
You’ve Gotta Have Go
June 28, 2017
Ride Like You Mean It
April 25, 2017
I Wish You Rode
April 11, 2017